Abstract
After outlining the major benefits — and problems — of both in-class and public prison arts performances, and presenting an explication of gifts found in Lewis Hyde’s The Gift: Imagination and the Erotic Life of Property, I offer a normative lens through which these performances should be viewed: as exemplary instances of gift giving.
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Metadata
- Journal title
Journal of Community Engagement and Scholarship
- Volume
2
- Issue
1
- Date submitted
19 July 2022