Abstract
My contribution is a personal account about my experiences with online participatory music-making in the first few months of the pandemic. As an old-time fiddler, I anchored a local Zoom jam and attended a Zoom-based music camp. As a Sacred Harp singer, I participated in regular singings via Facebook Live.
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Metadata
- Institution
Dahlonega
- Publisher
Open Journal Systems
- Date submitted
20 July 2022
- Digital Object Identifier (DOI) URL
- Keywords
- Additional information
Book or Journal Information:
Critical Studies in Improvisation / Études critiques en improvisation