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Abstract

My contribution is a personal account about my experiences with online participatory music-making in the first few months of the pandemic. As an old-time fiddler, I anchored a local Zoom jam and attended a Zoom-based music camp. As a Sacred Harp singer, I participated in regular singings via Facebook Live.

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Metadata

  • Institution

    • Dahlonega

  • Publisher

    • Open Journal Systems

  • Date submitted

    20 July 2022

  • Digital Object Identifier (DOI) URL
  • Keywords
  • Additional information

    • Book or Journal Information:

      Critical Studies in Improvisation / Études critiques en improvisation